My love for live music in the dome is undeniable. The idea is simple but powerful: Allow the synthesis of live performance and astronomy visuals to create a uniquely awe-inspiring experience.
Having thrown a series of live music events, each with its own custom dome visuals, we now have a collection of 4k dome material. So when DJ Spooky approached us with the idea of partnering to create a live fulldome show, it felt like a natural match. And the premiere of the show is just a few weeks away.
Cycle is a short fulldome piece which uses timelapse photography to reveal the majesty of Earth’s natural environments. It’s a subtle meditation on how a small shift in our perception of time can heighten our awareness of the intricate ecosystem surrounding us. The cycle emerges.
Prior to teaching the MassArt 2015 course, Eric wanted to get more in-depth experience with fulldome production. So he spent the summer camping and shot a bunch of beautiful timelapse photography with a fisheye lens. Then he selected the best timelapse shots, did some tests in the dome, composed the music in 5.1 surround, and edited together this stunning piece for the dome.
Eric Freeman is an electronic music producer, multi-instrumentalist, photographer and video artist. In his music production, Eric weaves together elements of world, electronic, and experimental sounds to create a sonic landscape accompanied by visuals. His recent video work is a combination of light painting photography and time lapse.
Shot with a Canon 6D, Canon 8-15mm lens, and a Kessler parallax motorized rail system.
During the 2015 Spring semester at the Massachusetts College of Art and Design, students explored the topic of hypnagogia. In less than 5 months these students collaborated on all aspects of storytelling, concept development, surround sound design, and 4k fulldome production to create an immersive experience which explores the moment between wakefulness and sleep.
During the 2013 Spring semester at the Massachusetts College of Art and Design, students explored the topic of consciousness. In less than 5 months these students collaborated on all aspects of storytelling, concept development, sound design, and fulldome production to create an immersive experience which explores the creative, perceptive, and unexplored mind.
The IMERSA Summit 2015 was intense, fascinating, and gave me a fresh breath of air of where fulldome is headed. Each of the presentations/panels were well prepared and technical problems were solved quickly. And the amount of attendees is just at that equilibrium where you can still meet a fair amount of people.
I ran into many people that are clearly passionate about fulldome and it was inspiring to hear their unique perspectives and experiences. So I realized that I should document a slice of these conversations with one interview question:
What challenges have you recently faced?
A while back we visited NASA’s Goddard Space Flight Center to shoot 360 video for our recently released planetarium show From Dream to Discovery: Inside NASA. So when 360Rize approached us about writing an article to look behind the scenes, we realized that we could share an interactive video where you can control the perspective.
If you’re curious to learn more about my experience in shooting 360 video while at Goddard, then be sure to check out the interview too. I share some details about why shooting 360 video for a planetarium dome requires a unique approach. You can also view the whole photo album from our trip to Goddard.
Experience the challenges of the next generation of space exploration in this brand-new Planetarium show. By using exciting real-life projects like NASA’s James Webb Space Telescope and the New Horizons mission to Pluto, the show highlights the extreme nature of spacecraft engineering and the life cycle of a space mission – from design and construction to the rigors of testing, launch, and operations. Blast off and take the voyage with us!<
Our show Moons: Worlds of Mystery has be selected to be a part of the competition screening during the IPS-Macao International Fulldome Festival 2014! So if you’re attending the IPS Conference, then be sure to mark your schedule.
After the festival, we have the added honor of being one of only six productions to continue screening for the public in Macao (6/21 – 7/31) and Beijing (6/28 to 7/31).
An explorer of the cosmos has traveled too far… And can’t find home.
Follow in the footsteps of a cosmic traveler as he shares a wild story. Find out what grand mysteries he has uncovered while journeying deep into intergalactic space, searching…
I’ve long been excited of the possibility of 4k video in a planetarium dome. And so I was captivated with the recent introduction of a 360° video camera rig with 8192×4096 resolution. (Which translates to 4k domemaster resolution.) It also meant that I could increase the fisheye FOV from 180° to 220° and see the immediate ground surrounding the camera. In my opinion this makes for a heightened immersion experience. So I have spent the last two months experimenting and learning directly about the intricacies of shooting 360° video.
The 360Rize PRO10HD is a 3D printed object. Meaning it’s one solid piece of plastic that is precisely engineered to fit 10 GoPro cameras into the smallest possible space. It’s printed using aircraft grade plastic, so it’s durable and has been through a strenuous bend test to prove it’s strength over time.
Currently the 360° video community is tiny and little documentation is available. So I was on my own to figure out the potential problems, shooting subtleties, and overall workflow. This can be a tedious and nerve-wracking process. After all, with 10 GoPro cameras shooting in unison, something is bound to go wrong at some point. So alas, plan within plans within plans, theorize contingencies, and take notes of your experience. And now for you brave souls remaining, below are my own findings, tips, and thoughts.